Tag Archives: New Directions

Facing the Sky

Six years ago, we posted a review of a memoir, Facing the Sky by Rainee Grason. In light of recent  events, a repost might be in order, especially for readers seeking hope amid trouble.

* * *

Self-Publish or Traditionally Publish?

Last night, I met with an author and her husband (who also happens to be a writer, as well as an artist) to discuss her self-published book, Facing the Sky. She had wondered about trying to find a traditional publisher to reprint the book and gain a wider audience, but after reading her unconventionally-formatted but powerful true story, I realized she needs to retain control.

The book is her life story, centering on a specific time in her teens but drawing in her childhood and adulthood in a sometimes linear, sometimes flashback/flash-forward style that works well for the material. She is a Christian, so her faith is very much part of the story, but traditional Christian publishing houses would probably gut the book, redacting the harshest elements, weakening its power.

In fact, a local bookstore refuses to stock the book because of a particularly raw scene describing the author’s rape by her boyfriend in her early teens.

This disturbs me. Rape isn’t pretty. It happens, even to children. It damages the psyche and the spirit. But Rainee Grason’s story shows that redemption is possible — not only possible, but triumphant. Remove that ugly scene, and the power of the truth is lost.

Unconventional Structure

Rainee Grason’s story is told inside-out.

We meet her as a teenager, facing the sky, feeling God’s love in the warm rays of the sunset. We overhear her thoughts about her boyfriend, their relationship, the rape.

One line of copy from back cover states, “She realizes she does have a choice — she can walk away from the imprisoning walls of the unhealthy relationship, but how?”

As events play out, she says goodbye to Gideon and hello to Cole. About a third of the way through the book, however, after she and Cole are married, Rainee pushes the curtain even further back, all the way to her earliest childhood memories, and reveals what led up to the night she stood, sixteen and pregnant, facing the sky.

Who Should Read Facing the Sky?

Teenagers and adults alike will identify with much in this true story, including the themes of worthlessness, hurt, shame, abuse, teen sexuality, awkwardness, fear, alcoholism, the desire for a better life.

This is an excellent book for mothers and daughters to read together and discuss. It reminds us that even the darkest night doesn’t last forever, we are worth more than we think, and God is waiting to lead us into the light of a new day.

NOTE: Fathers and sons can also benefit from this book, because it addresses — obliquely yet clearly — the importance of strong, kind fathers and husbands. It is in the embrace of Cole’s understanding and strength that Rainee is able to heal at last, after she is suddenly confronted by matters she thought long resolved. By reading her story, young men may also see the painful, tragic results of selfishness and pride: many girls used, even raped, their lives forever marked by Gideon’s sexual desires.

Contact the Author

Rainee Grason is available for speaking engagements.

E-mail:
HOCKRA153@gmail.com (Attn: Rainee)

Post:
PO Box 340953
Beavercreek, OH 45434-0953

Facebook:
Rainee Grason

Audio and paperback versions of Facing the Sky are available, and price breaks are available for larger orders.

Advertisement

Create Anyway

Could you live your life in obscurity?

Could you — would you — still write, paint, draw, sing, act, dance, compose music, play music, take photos if no one ever knew your name? Never discovered your art?

What if you somehow lost the ability to write or play the music you hear in your head? The images you see? The stories you imagine?

What if you were crippled by arthritis, lost your sight, lost your hearing, lost control of part or all of your body, lost your vocal cords or damaged them just enough to still be able to talk but not to sing? What if you started to lose your mind, and you knew it?

Would you consider your efforts vain? If you lost the ability to create before what you had already created was discovered, would you consider your life wasted?

They’ve become almost cliche, as many times as they’ve been passed around the internet, but these words* written on the wall in  Mother Teresa‘s Calcutta orphanage still resonate with me:

People are often unreasonable, irrational, and self-centered.
Forgive them anyway.

If you are kind, people may accuse you of selfish, ulterior motives.
Be kind anyway.

If you are successful, you will win some unfaithful friends and some genuine enemies.
Succeed anyway.

If you are honest and sincere people may deceive you.
Be honest and sincere anyway.

What you spend years creating, others could destroy overnight.
Create anyway.

If you find serenity and happiness, some may be jealous.
Be happy anyway.

The good you do today, will often be forgotten.
Do good anyway.

Give the best you have, and it will never be enough.
Give your best anyway.

In the final analysis, it is between you and God.
It was never between you and them anyway.

I used to work at a nonprofit organization dedicated to serving the youth of the local community, and I posted those words often. Sometimes I’d catch kids looking up at the bulletin board or stopping outside my office window to read them. We didn’t discuss them much — kids will often absorb more via osmosis than they will by being lectured — but I referred to them on occasion when having to correct one of the members.

Had to remind myself, too, of the merit in pressing onward when life is bleak and there seems to be no reason to keep striving.

One of my early freelance newspaper articles involved an interview with a man suffering from MS, unable to physically write and barely able to shift himself from his bed to his chair, and yet he wrote stories by using a speech-recognition program on his computer.

A large writing group I once joined was led by a woman whose spinal and hip bones were deteriorating, and whose hands and wrists were arthritic, and yet she wrote in short sessions, refusing to give in to the inevitable.

A few years later, my critique buddy was a seventy-something alcoholic novelist whose anger and depression and regrets — the things he said he didn’t carry but which were evident in the stories he told — compelled him to write.

Via social media and e-zines, I have met several fellow writers suffering physical difficulties that not only impede their ability to interact in society, but also often obstruct their ability to write.

There was a long stretch of time when I, too, was barely able to function physically or mentally, and had to crawl back toward the light. At the moment, I’m in a greyness, a struggle with body and mind, that dims the light. And yet forward I must go.

Many creative folk I’ve known have been almost desperate to finish their work, “just in case”.  One writer also painted, and wanted to leave a legacy for her children and grandchildren. Another wanted to tell her mother’s story.  Another — one among myriad, I suspect — strove to fulfill a youthful dream set aside to raise a family and live her life.

Artist, singer, author, and speaker, Joni Eareckson Tada, is also quadriplegic, an inspiration and an encourager wherever she goes. The great composer Mozart died before he could finish Requiem, and Beethoven went deaf and became suicidal, thinking he no longer had a reason to exist — and yet he composed some of his most widely-recognized work after his hearing declined, including his Ninth Symphony and its famous “Ode to Joy” passage.

 

Keep going.

We cannot but create.

“We are all pencils in the hand of God.” -Mother Teresa

————————-
* Click here and scroll to the end of the page to read The Paradoxical Commandments written by Dr. Kent M. Keith, upon which Mother Teresa’s version is based.

The Art of the Side Hustle

 

IMG_8836
It’s scary, trading a paycheck for doing something you really love. Or does it have to be that way?

Just the other day I was trying to explain to my parents what I was accomplishing with my art while working a traditional day job. My folks have heard about this art/writing stuff before, of course.

Mom was kind of my first editor when I was in the fifth grade.

She had looked at me with a puzzled expression after reading my first handwritten paragraph on blue-ruled school tablet paper. I was a big fan of horse stories in grade school: Black Beauty, King of the Wind, etc. All the horses in them had nice-sounding names, and so I picked the name “Lincoln” for my horse. The story began, “Lincoln was born in a pasture on a hill top…” Mom chuckled, looked even more confused as I launched into my explanation and then she said, “Oh, I thought you were writing about President Lincoln!”

Back to the present time: my parents know I make some money on the side through original jewelry design and eBay. But when I described what I was doing as a “side hustle” Mom looked puzzled. I guess hustle had a different meaning in the 1970s!

I think that beauty of the side hustle is that it allows you to explore what you really love to do without actually letting go of your full-time paycheck, yet.

But I still want to be a full-time artist and writer. It’s scary, trading a paycheck for doing something you really love. Or does it have to be that way?

I wish I could tell you I know the secrets of art business/writing business success. I don’t. I am still learning how to balance the side hustle art with my regular retail job.

Currently my little Etsy jewelry shop, Bohemian for Life, has been online for four years, has steady small sales and 40 followers. I began jewelry design in 2014, motivated by a friend who made a big success of it when the handmade jewelry market was beginning, before it became a commonplace idea. Did I have the idea of success fast? Oh yes.

But the market is now pretty full, rather like the self-publishing market for books. Once a novelty, now it’s big business, one in which new names struggle to be noticed.

So maybe it’s best to get in on the beginning of an idea.

Or it might be good to feed into the social media machine and have fantastic product samples for your readers and fans in form of product photos or snippets of text from your work.

start small

Here’s a brainstorming list I came up with of ideas to work that side dream job and create your own (mostly) free advertising:

–run a contest with a free book or a free art/craft item up for grabs

–market via your own website as well as the ones you sell on(my friend Keanan Brand has a good example of an author website)

–offer regular perks like special sales and coupons

–have a shareathon on various social media platforms

–post short videos about your story or art: book trailers, for example

–explore local venues for art and writing –farmer’s markets for art, local hotspots to leave business cards

–as a writer, can you get an opportunity to speak to students, or to join a writer’s group for local events to get your book name/your name out there?

–check your local shops for opportunities to sell both art and writing

–check with the local paper for an opinion piece opportunity

–start small, but think big (what will you do when your company grows?)

–network with bloggers in the same fields

–make the story of your art and writing personal, let your audience get to know you

While most self-published writers are trying the largest markets(often the most crowded ones)have you tried alternatives to some of the big names in e-book publishing? Here’s a blog post that might get you started: Alternatives to Amazon

If you have other ideas to add to my shortlist, please give a shout-out in the comments.

And keep working that side hustle, my artist and writer friends! May it turn into something much, much more.

End Goals: Dealing with Grief, Pain, and Other Uglies

Years ago, another writer composed a poem about the four seasons, and how grief is the other season. It will last as long or as short as is needed, and then it must end so the mourner can live. She had experienced great grief in her life, but the ones she expected to come alongside and help her through that time were anxious that she stop mourning, stop making them uncomfortable.

Around the same time, I battled depression, and the main advice from Christians was “pray,” and from others was “be happy” or “stop wallowing.” In essence, just get over it. People weren’t really interested in listening. That was inconvenient, boring, and uncomfortable. I just needed to paste on that smile so no one would feel guilty for not caring.

The depression lifted after I dug in to Scripture and stopped trying to escape the wilderness, but learned to walk beside God, trusting Him to know the way out.

After my parents’ marriage broke apart, the refrain became “forgive”. I was angry, hurt, shocked. Forgiveness was a bridge too soon. Besides, other people were pouring their own complaints and hurts and angers into my ears, and were too absorbed in their own pain to hear mine.

When forgiveness came, it was after much prayer, many filled pages in my journal, and after much honesty with myself and God.

So, what’s the point of this whiny list of troubles?

A traveler in Dallas needs to go to Paris — that’s his end goal — but there are many miles and an ocean in between where he is now and where he eventually must be. He might agree that, yes, he needs to take a particular route from Lisbon to Paris, but that part of the map is irrelevant at the moment. He’s not in Lisbon yet.

And there are other stops he must make first: from Dallas to Denver, from Denver to Memphis, from Memphis to Chicago, from Chicago to New York, and so on. Once he arrives in Lisbon, then he can make the final journey to Paris.

It’s that way with life. People may think we need to hurry up and arrive somewhere — arrive at forgiveness, arrive at physical fitness, arrive at a buoyant outlook — but those are end goals, destinations that often come only after long journeys.

Although God may provide instant answers, as He sometimes does, most often the noblest things come after hard work. In the journey is where we learn, where we hear His instruction, where we face truths and look in mirrors and come to new understandings.

Oh, what we would miss if God allowed us to nod our heads or wiggle our noses and “genii” our way out of our troubles.

People may dismiss our problems as not worthy of their time and attention, but don’t let pride or bitterness make us react in kind whenever we encounter someone else who, like us, needs more than a peppy motto or a “just pray about it” pat answer or a neat package of memorized Bible verses.

Just as the Word and the Spirit will heal, so too will love and listening, and honest words spoken in kindness.


Comments from an online discussion after this article was originally written and posted elsewhere (April 15, 2015):

Grief is a strange thing. and people handle it differently. Some need to share and some of us need to hide it. Who can say which way is right–I think it depends on the person. It is often impossible to share someone else’s burden when you are full of your own. (Nancy P.)

I don’t always speak what I feel or think — either it’s not the right time or the right listener, or maybe I don’t know yet what I’m thinking or feeling, so speaking about it may be of little use.

That’s why I keep journals. I can work things out on the page, and often God reveals the truth as I write. That’s one reason I write out my prayers, too: I sometimes, when I go back and read them after weeks or even years, I see and understand the words in a new light. Journaling is long-term effective therapy for grief, depression, mood disorders, and more.

Something I (wrote) in my prayer journal today:

There is a difference between showing someone compassion, and allowing that person to feed off of you like an emotional, mental, or spiritual vampire.

There are people in genuine need who simply want you to hear them, to stand beside them, to give them wise words but not to preach at them or scold or be superior. On the other hand, there are people who take advantage of kindness and the desire to help, and they drain you dry. They suck away your joy, your energy, your very substance, and they refuse to stand on their own feet, to seek God for themselves, to find joy where they may.

From such, turn away (2 Timothy 3:5, slightly out of context). There is a time to kill, and a time to heal (Ecclesiastes 3:3). In this case, “kill” means pulling out the weeds that can choke the vine of your life. (Elizabeth E.)


Recommended reading:
The Bait of Satan by John Bevere (1994)
Unoffendable by Brant Hansen (2015)

Review: Laughing at the Moon

poetry anthology^front cover

A poetry book for a traveler! That was one of my first thoughts on reading my friend Elizabeth Easter’s poetry collection.

This slim volume challenges the reader to look into the poet’s skies-and asks the question of life’s wanderers: “What if I don’t want to be safe?” Should I take an uncharted route, a new daring direction in life?

Elizabeth writes of love, troubles, family, whimsy and travels. A prose poem begins the book, inviting the reader to sit with the author in a house she and her father restored and look out the window with her, searching for words to begin these tales with.

Some verses are short and poignant, like Companion. Others, like Sir Gallivant and the Dragon, tell a full, rich-detailed story.

Threads of emotion, courage and memory run along these pages like the blue lines on a map. Where they lead, only you can travel with the author.

Interested in reading this book and supporting Penworthy Press? Find the title here: Laughing at the Moon on Amazon.com.

 

 

Laughing at the Moon

Introducing the latest offering from the Penworthy Press collective!

FREE-Laughing at the Moon

poetry anthology cover^salt flats and moon

Click on either image to purchase a copy — available in Kindle and paperback formats.

Note to other Penworthy Press members:
C’mon, writers! Let’s aim for a book apiece this year!

A Reading Wonderland

Some of my most calming, curiosity-piquing, wonder-filled memories are of libraries and bookstores. Even the smallest or dimmest or least organized are magical places, perhaps made more so by their imperfections and the sense of exploring a cavern of delights.

Years ago, I used to spend my lunch breaks at The Snooper’s Barn on Towson Avenue in Fort Smith, Arkansas, poking through the dusty stackes in the back where history books and old volumes — some antique — were shelved higgledy-piggledy, sometimes in precarious Jenga-like towers.

I recently introduced my eldest niece to an excellent independent bookstore in Oklahoma City. When we entered Full Circle Books — serving readers for more than three decades — we stepped not through the looking glass, nor through a wardrobe, but through a modern glass and metal door, yet the magic still welcomed us.

entryway, Full Circle Books, c2015, KB
entryway, Full Circle Books, c2015, KB
fireplace and sitting area, Full Circle Books, c2015, KB
fireplace and sitting area, Full Circle Books, c2015, KB
an old friend, c2015, KB
an old friend, c2015, KB

She fell in love with the rambling space filled with hidden rooms and cozy nooks, and the old-fashioned ladders that travel back and forth on metal tracks in need of oiling.

The children’s rooms are well-stocked with old friends and new, including a French copy of Dr. Seuss’s One Fish, Two Fish, Red Fish, Blue Fish — my niece’s first excuse to climb a ladder, but I don’t think she really needed a reason. 😉

children's reading room, Full Circle Books (c2015, KB)
children’s reading room, Full Circle Books (c2015, KB)
IMG_2986^cropped
the red ladder (c2015, KB)
IMG_2989^vignette brown
by the light of Winnie the Pooh (c2015, KB)
IMG_2994^cropped
French Seuss (c2015, KB)
IMG_2999^light
I love Sandra Boynton books. (c2015, KB)
IMG_3000^light
another old friend (c2015, KB)
IMG_3006^vignette pale
familiar author names (c2015, KB)
IMG_3003^HDR soft
funky covers (c2015, KB)

Same spaces have the atmosphere of a comfortable corner of someone’s home, and every doorway welcomes.

a comfortable study (c2015, KB)
a comfortable study (c2015, KB)
c2015, KB
c2015, KB
IMG_3008^HDR soft
c2015, KB
IMG_3028^cropped
a cheery welcome at one of the several doorways (c2015, KB)

I came around the corner and encountered mysteries. There’s a metaphor there, I’m sure.

IMG_3014^saturated
c2015, KB

My niece later found another reason to climb a ladder — various collections of Edgar Allen Poe, to which she coined a pun: “If one is perusing the works of Edgar Allen, one could be said to be reading Poe-etry.”

We are a silly lot.

Jamie reading Poe (c2015, KB)
Jamie reading Poe (c2015, KB)

On the mantel of one of the fireplaces stands this whimsical fellow:

c2015, KB
c2015, KB

If you ever visit Oklahoma City, try to carve out time to visit Full Circle Books, especially if you’re an independent author. The staff are friendly and professional, and the store supports indie and local authors, and the variety of books is vast.

front desk and beyond (c2015, KB)
front desk and beyond (c2015, KB)

 

reposted from Adventures In Fiction

Confession

Most people who know me also know I am a writer.

They’d have to be oblivious not to know. It’s an almost constant ingredient in my conversation. (Yes, I am that boring.) I love writing. It’s “the hardest work I’ll ever love”, and I dare say this love of words and stories is a calling.

It has given me work and has enabled me to help and encourage other writers, whether they be students writing only to finish assignments or aspiring writers seeking to be published. It has frustrated me, too, and the arduous process has taught me to let go of perfectionism and to persevere.

Perfectionism is rooted in fear and pride, and it prevents progress. It is one reason I chose a pseudonym: If people didn’t like my writing, I could hide behind another name.

However, there were other equal or greater reasons for choosing a pen name many years ago:
1) minor stalking from a few creepy guys when I was younger and better looking (alas, alack, time has taken its toll);
2) identity theft (a close family member was impinged upon by someone with a criminal history who married into the family, and then my information became linked to that person);
3) my real name doesn’t fit well with the types of stories I tell (“Elizabeth Easter” sounds like a romance writer, and while there are sometimes love stories in my work, I mostly write fantasy and science fiction); and
4) a desire to keep my editing work separate from my writing, and some writers — offended by the editing of their manuscripts — have called into question my abilities. I didn’t praise them as they wished, I made suggestions they viewed as insults, or perhaps I told them large portions would have to be rewritten. Therefore, rather than examine their own work, they attacked mine.

It is this behavior, among others, that led me to resigning from a publishing house and to shuttering the freelance editing business. Online creepers and offended authors weighed my spirit, and outweighed the many times writers had been encouraged and grateful for my help. I needed to step back and gain a clearer perspective.

An aside: If we live our lives offended, and if we make decisions out of that offense or we expect other people to tiptoe around us lest they offend, we are shackling not only ourselves but everyone else.

I have been edited by too-lenient teachers and by snarky, overbearing fellow writers. Good editing is a delicate balance: telling the absolute truth while still being kind and encouraging. As an editor, I strive for that balance, but have not always succeeded. As a writer, I also struggle to receive less-than-kind feedback and apply it objectively.

Another struggle: Should I reveal my true identity?

Another reason for choosing a pseudonym — and a masculine one, at that — was to practice writing male characters. Despite the push of political correctness, science confirms that men and women think differently. No secret there. However, after much experience editing romance novels, I became weary of the heroes mirroring the heroines: men who spoke, emoted, and behaved like women.

Also, a male reader’s feedback on an early, rough, uncompleted draft of my novel revealed that my male characters spoke and thought too much like the female characters. The feedback was not delivered with any thought to my feelings, but it was honest, and I respected that.

I needed practice. I chose a masculine pen name, started a blog, wrote a short story and a science fiction serial, and joined social media. Although I am a heterosexual woman, I found it comfortable, easy, and freeing to write as a man. As him, I could say things that Elizabeth couldn’t, and I was heard. The people with whom I engaged in conversation online where mostly men, and we could express ourselves without the clutter of delicate emotions. There was respect and honesty that wasn’t commonly present in conversations with fellow female writers. And, until I revealed the truth to a select few, people seemed to accept without question that “Keanan Brand” was a man.

The advertising, spam, and inappropriate invitations have accentuated that notion. There are spam-bots and actual women who have sent indecent proposals. Oy vey.

Yet another reason for choosing a pseudonym: to test my storytelling abilities without the impediment of my soft-sounding real name. The results have been mixed. Female readers have not liked the battle scenes, the violence, and the lack of erotic scenes, while the guys have wanted even more action and less poetry. However, some men have responded well to the emotional elements — not only the love stories, but also the scene where one character contemplates suicide, and there are strong friendships and family bonds — and some women have said they liked the action and thought the story was suspenseful. They did not seem influenced by the author name, but male readers seemed more inclined to my story when it came appended with a masculine pen name.

The truth will out.

There have been times when Elizabeth crept to the forefront of Keanan’s posts, and a couple times Elizabeth signed Keanan’s e-mail.

Writers whom I respect and like, and what started as a casual crossing of paths online have, in many cases, turned into friendships. Those friends deserve the truth — though I will understand if they do not remain friends after having been deceived by my online persona.

Regardless of the consequences, the time has come to confess the truth. Keanan Brand is really a woman, and Elizabeth Easter wrote this book:

new cover^for Smashwords

Penworthy Press Presents: Dragon’s Rook by Keanan Brand

The Penworthy Press collective—sounds like a cult, doesn’t it? But we’re just writers, honest!—announces the first book published under our logo:

Dragon’s Rook, book one of The Lost Sword duology by Keanan Brand.

This epic fantasy tells the story of two kingdoms at war. The kings are brothers-in-law—Morfran’s late wife was Damanthus’ sister—but the conflict has nothing to do with family and everything to do with the Territories, a long strip of forest and hills ruled by neither kingdom. The people there govern themselves, but have no standing army.

When Morfran’s soldiers invade, a young shepherd name Gaerbith journeys to the Dissonay capital and begs help of Damanthus to keep the Skardians at bay.

Disson engages Skarda in war, and pushes the invaders out of the Territories and back into the western Plains of Skarda, near the Highlands, a hallowed and feared place where the dead are said to dwell.

When Dragon’s Rook begins, the war is at an impasse. Both sides have lost heavily, and ground has been neither gained nor given in a long while. Gaerbith is now a seasoned soldier and captain of the Fourth Lachmil. His skill in battle has gained him a reputation as possessing magic, but anything special he attributes to the fact that his mother was a Keeper, one of a group of immortals charged with keeping the Great Archive, a storied trove of learning and art that many think is just a myth.

His mother, Uártha, entrusted him with a secret that can only be unlocked when he takes the oath of a Keeper: the hiding place of Azrin, the lost sword of Kel High King, who in ages past slew a Dragon and freed the people.

Yet, even if Gaerbith takes the oath and learns the secret, he can do nothing without Kel High King’s nearest descendant, the only one to whom the sword will answer.

Dragon’s Rook is the name of a cave in Kel Tor near the village of Shea, where a blacksmith lives. He possesses a dagger decorated with the same metal from which Azrin was forged, and he remembers nothing before the day the previous blacksmith found him as a child and took him in as an apprentice.

Kieran Smith and Captain Gaerbith set out on unexpected journeys—the blacksmith to learn who he really is, the soldier to do his duty to a king—and along the way they face great foes, make new allies, gain love or lose it, and must decide whether or not to do the most frightening thing of all: trust their lives to the leading of the Voice.

Dragon’s Rook is currently available as an e-book (visit Keanan’s website or his blog to select which version you prefer), and will be coming soon in paperback.

The cover art and design are by another member of the Penworthy Press collective: artist and writer, Suzan Troutt. She can be found at Gothic Tones blog, at her online jewelry shop, or at Jade’s Journal.

Advance readers have commented favorably on the cadence and detail of the writing, and on the characters, especially the female protagonists. Some readers have selected the story’s quieter moments—not the battles, not the wonders, but the human interactions—as some of their favorites.

Although there are fantasy tropes and archetypes in Dragon’s Rook, there are few mythical creatures—aside from Dragons, there are bloodthirsty giant crows called Nar’ath, invented for this story, but expect no dwarves, elves, ogres, trolls, and the like. The author freely admits to the classical influences of Tolkien, Lewis, folklore, mythology, and the Bible, and built the world of Disson and Skarda on a mix of American and European geography, but weaves a story all his own.

We at Penworthy Press are proud to present this novel to the world. May it and its successors bring joy to their readers for many years to come.

“The Greatest of These…”: Maturity v. Offense

Living one’s life in offense means never quite growing up.

No, it doesn’t mean one is more sensitive to the plight of others; it means one’s skin is so thin that others must always blunt the truth. They must be less honest or less than complete in their speech lest one take umbrage and skew the conversation by one’s own assumptions, judgments, or screeds.

Maturity—and true tolerance—listens to the opinions or arguments of others, and is not threatened by them. It does not need to shout down or shut down those with whom it disagrees. It does not need to be malicious toward them, nor does it need to smear them with altered facts, half-truths, or nasty names.

Maturity speaks and acts from a place of strength. It is confident. Its sense of right and wrong does not depend on the opinions of others, nor on their good will or ill will, nor on any narrative written out in the media, in popular culture, in activist groups, in church dogma, or in group-think, but assesses matters for itself and comes to its own conclusions.

It recognizes truth, even if that truth alters one’s previously-held beliefs.

Offense pushes onward against the tide of truth, and demands conformity with itself. It is akin to a child throwing a temper tantrum, refusing to acknowledge the truth it knows but is too proud and willful to admit, especially if that truth contradicts the narrative.

In this case, narrative is the accepted story—it is not necessarily reality. It is not concerned with facts or actual events, with provable data or the weight of evidence. It is the story in one’s own head, the story one wishes, expects, or assumes.

If maturity’s narrative is confronted with dissonant facts, with an alternate narrative, or with a conflicting truth, maturity weighs those differences, examines them, and then accepts or rejects them.

However, offense filters everything through emotion, and reacts with anger and arrogance, which can often disguise themselves as something noble. Yet continued anger, scolding, snubs, smears, demands, dishonesty, and haughtiness push for conformity—from others, not from oneself.

They also reveal the stunted growth, the blindness, the egocentricity, the blunted thinking of the one choosing to live in offense.

There are also groups which stir up and depend on the feelings of offense carried by their adherents. These groups are varied in nature—political, religious, cultural, sexual—and they operate much the same way as offended individuals do, but often with greater consequences. Anyone who dissents or offers an alternative is in danger of a damaged reputation, of difficulties at work or in the marketplace. That’s the least threat. The greatest threat is to self or loved ones because one does not conform.

Offense, therefore, encourages dishonesty. It thrives on anger, foments strife, and places itself as supreme judge. It brooks no argument—no matter how reasoned, truthful, or sound it may be—and is shrill in its agenda.

Maturity, however, will present its case but not push it. It will set boundaries and honor them. It will not be ashamed of its heritage, its faith, its culture, it political views, but will respect the differences of others, even if it cannot agree with them.

Maturity does what is right even if those actions are misunderstood, misrepresented, or misjudged. Even if people are offended. Because maturity is not ruled by immaturity.

It takes the long view, and considers the future consequences of its current actions. It knows it will be validated in the long run, perhaps after the current kerfuffle is long forgotten. And yet it does what it believes is right, even if it will not be the recipient of any good that might come of its actions.

Maturity is not so short-sighted that it lives only in the untempered, ill-informed emotions of the moment.

Maturity is not controlled by the fomented emotions of those who exalt the activist but denigrate the statesman. Due to speeches, marches, and “awareness” campaigns, the former is often credited with creating change, while the latter actually creates change by leadership despite opposition, threat, or lack of fanfare. One drums up support; the other earns respect. One is strident; the other may not even need to raise his voice.

There are advocates who are sometimes labeled activists, but they are most often for something rather than against something else: for aiding battered women, for increasing literacy, for feeding the homeless. The terms they use tend toward the positive, and they are less likely to be militant in their approach, although the lack of militance does not mean any lack of strength in their belief or actions. The difference lies in their lack of reliance on offense in order to garner support for or awareness of their cause.

Borrowing from one of my eldest niece’s favorite shows, “Green Lantern“, episode 2: “We know what you’re fighting against, kid, but what are you fighting for?”

Maturity is a process. It begins with recognizing not only one’s goals but also one’s limits, one’s need to learn and grow. Maturity exhibits as much frailty as any other human state, but it also extends patience to itself and to others. It may experience frustration, anger, even offense, but none of those are its constant state or its usual response. It is not ruled by negative emotions, nor by naïve, la-la-la optimism, even if it experiences them from time to time. In general, maturity is measured, pragmatic, and wise.

In the end, offense, being self-centered, cannot truly love. It cannot see beyond itself, its own cause, its own emotions, its own narrative. It loves only those with whom it agrees.

However, maturity realizes love—that thing so touted by a certain generation several decades past—is more action than emotion. It is a messy reality, not a hazy ideal, and true love reaches out even to its enemies.

If I speak in the tongues[a] of men or of angels, but do not have love, I am only a resounding gong or a clanging cymbal. 2 If I have the gift of prophecy and can fathom all mysteries and all knowledge, and if I have a faith that can move mountains, but do not have love, I am nothing. 3 If I give all I possess to the poor and give over my body to hardship that I may boast,[b] but do not have love, I gain nothing.

4 Love is patient, love is kind. It does not envy, it does not boast, it is not proud. 5 It does not dishonor others, it is not self-seeking, it is not easily angered, it keeps no record of wrongs. 6 Love does not delight in evil but rejoices with the truth. 7 It always protects, always trusts, always hopes, always perseveres.

8 Love never fails. But where there are prophecies, they will cease; where there are tongues, they will be stilled; where there is knowledge, it will pass away. 9 For we know in part and we prophesy in part, 10 but when completeness comes, what is in part disappears. 11 When I was a child, I talked like a child, I thought like a child, I reasoned like a child. When I became a man, I put the ways of childhood behind me. 12 For now we see only a reflection as in a mirror; then we shall see face to face. Now I know in part; then I shall know fully, even as I am fully known.

13 And now these three remain: faith, hope and love. But the greatest of these is love.

I Corinthians 13 (NIV)