Category Archives: Life

Flash Fiction and Revelation

A life of integrity is the most fundamental source of personal worth.
-Stephen Covey

While sorting through old notes for a novel-in-progress, I encountered a tattered-edged piece of construction paper covered in hasty script, portions scribbled out or marked through. It is a writing warm-up assigned in a former writing group. I don’t recall the specific list of words or themes we were required to incorporate; however, given a few word and phrases that I would not normally use together i.e. unicorn and Don Corleone, I can guess.

We’d create eclectic lists of items, names, story elements, etc., and then we’d write furiously for, say, fifteen minutes. Our goal was to create a scene or a complete story within those limits.

I rarely met the goal, although tantalizing ideas might arise from the unexpected mix of elements.

The one written on construction paper is almost a complete flash fiction, and the ending line is an unconscious reflection of my own childhood (and grownup) feelings of being value-less and a failure.

Heartbreak.

—————————-

“Little Johnny!” Mrs. Callahan called from the apartment window and pointed toward the playground. “Yer kid’s stuck again!”

Johnny was no longer the neighborhood wimp, but he was still saddled with a nickname no self-respecting fortysomething would answer to, unless he was gangster for Don Corleone.

Sighing, he veered from the sidewalk and jogged toward the weathered playground equipment. The colors had faded on the plastic slides, and the paint was chipping off the swingsets.

“Lily!” he called. “Lily, it’s Daddy!”

A muffled sniffle betrayed his daughter’s hiding place. He crossed the spongy woodchips and rapped his knuckles gently against the plastic tunnel that linked two halves of the play fort.

“Go away!”

“Are you hurt?”

“I’ll get out by myself!”

Lily, unfortunate child, was as plump as he had been at her age. Why she insisted on playing in this tunnel, he did not know. It was as if she refused to acknowledge the impossible physics. Her girth would never sausage its way to the other side, but she seemed determined to make the tunnel conform to her dimensions.

His heart ached for her. If only her beloved fairy tales were true — “Oh, look! A unicorn has come to grant a wish to a pure-hearted little girl!” — except that his wish for her wouldn’t be the ability to traverse the tunnel but to see her own worth.

c. E. Easter

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Create Anyway

Could you live your life in obscurity?

Could you — would you — still write, paint, draw, sing, act, dance, compose music, play music, take photos if no one ever knew your name? Never discovered your art?

What if you somehow lost the ability to write or play the music you hear in your head? The images you see? The stories you imagine?

What if you were crippled by arthritis, lost your sight, lost your hearing, lost control of part or all of your body, lost your vocal cords or damaged them just enough to still be able to talk but not to sing? What if you started to lose your mind, and you knew it?

Would you consider your efforts vain? If you lost the ability to create before what you had already created was discovered, would you consider your life wasted?

They’ve become almost cliche, as many times as they’ve been passed around the internet, but these words* written on the wall in  Mother Teresa‘s Calcutta orphanage still resonate with me:

People are often unreasonable, irrational, and self-centered.
Forgive them anyway.

If you are kind, people may accuse you of selfish, ulterior motives.
Be kind anyway.

If you are successful, you will win some unfaithful friends and some genuine enemies.
Succeed anyway.

If you are honest and sincere people may deceive you.
Be honest and sincere anyway.

What you spend years creating, others could destroy overnight.
Create anyway.

If you find serenity and happiness, some may be jealous.
Be happy anyway.

The good you do today, will often be forgotten.
Do good anyway.

Give the best you have, and it will never be enough.
Give your best anyway.

In the final analysis, it is between you and God.
It was never between you and them anyway.

I used to work at a nonprofit organization dedicated to serving the youth of the local community, and I posted those words often. Sometimes I’d catch kids looking up at the bulletin board or stopping outside my office window to read them. We didn’t discuss them much — kids will often absorb more via osmosis than they will by being lectured — but I referred to them on occasion when having to correct one of the members.

Had to remind myself, too, of the merit in pressing onward when life is bleak and there seems to be no reason to keep striving.

One of my early freelance newspaper articles involved an interview with a man suffering from MS, unable to physically write and barely able to shift himself from his bed to his chair, and yet he wrote stories by using a speech-recognition program on his computer.

A large writing group I once joined was led by a woman whose spinal and hip bones were deteriorating, and whose hands and wrists were arthritic, and yet she wrote in short sessions, refusing to give in to the inevitable.

A few years later, my critique buddy was a seventy-something alcoholic novelist whose anger and depression and regrets — the things he said he didn’t carry but which were evident in the stories he told — compelled him to write.

Via social media and e-zines, I have met several fellow writers suffering physical difficulties that not only impede their ability to interact in society, but also often obstruct their ability to write.

There was a long stretch of time when I, too, was barely able to function physically or mentally, and had to crawl back toward the light. At the moment, I’m in a greyness, a struggle with body and mind, that dims the light. And yet forward I must go.

Many creative folk I’ve known have been almost desperate to finish their work, “just in case”.  One writer also painted, and wanted to leave a legacy for her children and grandchildren. Another wanted to tell her mother’s story.  Another — one among myriad, I suspect — strove to fulfill a youthful dream set aside to raise a family and live her life.

Artist, singer, author, and speaker, Joni Eareckson Tada, is also quadriplegic, an inspiration and an encourager wherever she goes. The great composer Mozart died before he could finish Requiem, and Beethoven went deaf and became suicidal, thinking he no longer had a reason to exist — and yet he composed some of his most widely-recognized work after his hearing declined, including his Ninth Symphony and its famous “Ode to Joy” passage.

 

Keep going.

We cannot but create.

“We are all pencils in the hand of God.” -Mother Teresa

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* Click here and scroll to the end of the page to read The Paradoxical Commandments written by Dr. Kent M. Keith, upon which Mother Teresa’s version is based.

The Art of the Side Hustle

 

IMG_8836
It’s scary, trading a paycheck for doing something you really love. Or does it have to be that way?

Just the other day I was trying to explain to my parents what I was accomplishing with my art while working a traditional day job. My folks have heard about this art/writing stuff before, of course.

Mom was kind of my first editor when I was in the fifth grade.

She had looked at me with a puzzled expression after reading my first handwritten paragraph on blue-ruled school tablet paper. I was a big fan of horse stories in grade school: Black Beauty, King of the Wind, etc. All the horses in them had nice-sounding names, and so I picked the name “Lincoln” for my horse. The story began, “Lincoln was born in a pasture on a hill top…” Mom chuckled, looked even more confused as I launched into my explanation and then she said, “Oh, I thought you were writing about President Lincoln!”

Back to the present time: my parents know I make some money on the side through original jewelry design and eBay. But when I described what I was doing as a “side hustle” Mom looked puzzled. I guess hustle had a different meaning in the 1970s!

I think that beauty of the side hustle is that it allows you to explore what you really love to do without actually letting go of your full-time paycheck, yet.

But I still want to be a full-time artist and writer. It’s scary, trading a paycheck for doing something you really love. Or does it have to be that way?

I wish I could tell you I know the secrets of art business/writing business success. I don’t. I am still learning how to balance the side hustle art with my regular retail job.

Currently my little Etsy jewelry shop, Bohemian for Life, has been online for four years, has steady small sales and 40 followers. I began jewelry design in 2014, motivated by a friend who made a big success of it when the handmade jewelry market was beginning, before it became a commonplace idea. Did I have the idea of success fast? Oh yes.

But the market is now pretty full, rather like the self-publishing market for books. Once a novelty, now it’s big business, one in which new names struggle to be noticed.

So maybe it’s best to get in on the beginning of an idea.

Or it might be good to feed into the social media machine and have fantastic product samples for your readers and fans in form of product photos or snippets of text from your work.

start small

Here’s a brainstorming list I came up with of ideas to work that side dream job and create your own (mostly) free advertising:

–run a contest with a free book or a free art/craft item up for grabs

–market via your own website as well as the ones you sell on(my friend Keanan Brand has a good example of an author website)

–offer regular perks like special sales and coupons

–have a shareathon on various social media platforms

–post short videos about your story or art: book trailers, for example

–explore local venues for art and writing –farmer’s markets for art, local hotspots to leave business cards

–as a writer, can you get an opportunity to speak to students, or to join a writer’s group for local events to get your book name/your name out there?

–check your local shops for opportunities to sell both art and writing

–check with the local paper for an opinion piece opportunity

–start small, but think big (what will you do when your company grows?)

–network with bloggers in the same fields

–make the story of your art and writing personal, let your audience get to know you

While most self-published writers are trying the largest markets(often the most crowded ones)have you tried alternatives to some of the big names in e-book publishing? Here’s a blog post that might get you started: Alternatives to Amazon

If you have other ideas to add to my shortlist, please give a shout-out in the comments.

And keep working that side hustle, my artist and writer friends! May it turn into something much, much more.

End Goals: Dealing with Grief, Pain, and Other Uglies

Years ago, another writer composed a poem about the four seasons, and how grief is the other season. It will last as long or as short as is needed, and then it must end so the mourner can live. She had experienced great grief in her life, but the ones she expected to come alongside and help her through that time were anxious that she stop mourning, stop making them uncomfortable.

Around the same time, I battled depression, and the main advice from Christians was “pray,” and from others was “be happy” or “stop wallowing.” In essence, just get over it. People weren’t really interested in listening. That was inconvenient, boring, and uncomfortable. I just needed to paste on that smile so no one would feel guilty for not caring.

The depression lifted after I dug in to Scripture and stopped trying to escape the wilderness, but learned to walk beside God, trusting Him to know the way out.

After my parents’ marriage broke apart, the refrain became “forgive”. I was angry, hurt, shocked. Forgiveness was a bridge too soon. Besides, other people were pouring their own complaints and hurts and angers into my ears, and were too absorbed in their own pain to hear mine.

When forgiveness came, it was after much prayer, many filled pages in my journal, and after much honesty with myself and God.

So, what’s the point of this whiny list of troubles?

A traveler in Dallas needs to go to Paris — that’s his end goal — but there are many miles and an ocean in between where he is now and where he eventually must be. He might agree that, yes, he needs to take a particular route from Lisbon to Paris, but that part of the map is irrelevant at the moment. He’s not in Lisbon yet.

And there are other stops he must make first: from Dallas to Denver, from Denver to Memphis, from Memphis to Chicago, from Chicago to New York, and so on. Once he arrives in Lisbon, then he can make the final journey to Paris.

It’s that way with life. People may think we need to hurry up and arrive somewhere — arrive at forgiveness, arrive at physical fitness, arrive at a buoyant outlook — but those are end goals, destinations that often come only after long journeys.

Although God may provide instant answers, as He sometimes does, most often the noblest things come after hard work. In the journey is where we learn, where we hear His instruction, where we face truths and look in mirrors and come to new understandings.

Oh, what we would miss if God allowed us to nod our heads or wiggle our noses and “genii” our way out of our troubles.

People may dismiss our problems as not worthy of their time and attention, but don’t let pride or bitterness make us react in kind whenever we encounter someone else who, like us, needs more than a peppy motto or a “just pray about it” pat answer or a neat package of memorized Bible verses.

Just as the Word and the Spirit will heal, so too will love and listening, and honest words spoken in kindness.


Comments from an online discussion after this article was originally written and posted elsewhere (April 15, 2015):

Grief is a strange thing. and people handle it differently. Some need to share and some of us need to hide it. Who can say which way is right–I think it depends on the person. It is often impossible to share someone else’s burden when you are full of your own. (Nancy P.)

I don’t always speak what I feel or think — either it’s not the right time or the right listener, or maybe I don’t know yet what I’m thinking or feeling, so speaking about it may be of little use.

That’s why I keep journals. I can work things out on the page, and often God reveals the truth as I write. That’s one reason I write out my prayers, too: I sometimes, when I go back and read them after weeks or even years, I see and understand the words in a new light. Journaling is long-term effective therapy for grief, depression, mood disorders, and more.

Something I (wrote) in my prayer journal today:

There is a difference between showing someone compassion, and allowing that person to feed off of you like an emotional, mental, or spiritual vampire.

There are people in genuine need who simply want you to hear them, to stand beside them, to give them wise words but not to preach at them or scold or be superior. On the other hand, there are people who take advantage of kindness and the desire to help, and they drain you dry. They suck away your joy, your energy, your very substance, and they refuse to stand on their own feet, to seek God for themselves, to find joy where they may.

From such, turn away (2 Timothy 3:5, slightly out of context). There is a time to kill, and a time to heal (Ecclesiastes 3:3). In this case, “kill” means pulling out the weeds that can choke the vine of your life. (Elizabeth E.)


Recommended reading:
The Bait of Satan by John Bevere (1994)
Unoffendable by Brant Hansen (2015)

Freeing Truth

On social media, a fellow writer and fellow Christian posted regarding the weird zone a pastor must walk between complete honesty and diplomatic reticence, lest his congregants be offended by truth and kick him out, and how the same weirdness exists in the Christian publishing industry: Can’t offend the readers, so let’s publish this not-quite-truthful fiction because it’s “clean” and it’ll keep us in business.

Below is a comment I almost posted in response:

The lack of complete honesty is one reason I stopped working for a Christian publisher: I quickly learned editors were expected to praise, not to correct. After all, praise was encouraging, but correction was negative and mean. It was okay to fix commas, but not to suggest deep revisions. It was okay to talk to a young writer about his/her first novel, but it wasn’t okay to tell them they need to do much more research about characters / history / health matters with folks who were experts in their fields.

I started holding back and doing the diplomatic thing. After all, maybe I was too intense. Maybe I was too demanding. And, after a time of introspection and second-guessing, I admitted there were a couple of instances when I coulda said something a bit more diplomatically, but I also admitted that I had never not told the truth.

“Encouragement” and “praise” aren’t synonymous.

Encouragement, as seen from the word’s construction, means “to put courage into” someone, and (according to Merriam-Webster Online) “to make (someone) more likely to do something” or “to tell or advise (someone) to do something.” (Sounds like editing, to me.) Praise means “to express approval” — and in today’s language that also means accepting without question or revision the thing or the person being praised.

An editor can praise a writer’s creativity without accepting that the manuscript is publish-ready. Praise for storytelling does not equal acceptance of clunky dialogue or run-on descriptive passages.

All writers need to be willing to receive feedback that isn’t blanket approval. Otherwise, they may never see weaknesses in their writing or their stories. They may never understand what works already or what needs improvement. They may never understand why their books aren’t selling.

In other words, unless they are willing to learn, they will never grow in their craft.

There’s another reason writers need completely honest feedback. If they only receive praise but  never encounter negative responses, they will never look at their own work critically and contend for it.

What does that mean?

If a writer must provide a reason for a line of dialogue, for a plot element, for a character, for a descriptive passage, he begins to think deeply about how the story fits together, about what’s necessary and what needs to be pruned. He begins to think like an editor.

That perspective, coupled with the fact that the author is the creator of the story, has great power in determining the quality of the final product.

Tell the truth. Receive the truth. The truth will set you free.

Other Worlds: What One Reader Wants in Fantasy Novels

NOTE: In the post below, dated originally in September 2015, a Penworthy member writers about what he/she looks for when reading a fantasy tale. Although this was written last year, it has languished in the “drafts” folder so long that we don’t recall which of us wrote it. 🙂 Therefore, Elizabeth has edited it lightly and added paragraphing, and we hope you enjoy what you read.

A group I’m in has issued a prompt for readers to tell what they’re looking for in fantasy stories. The following three criteria are the main ones by which I judge all the stories I read, regardless of genre. (Readers be advised, this is a long post.)

3) Setting: there are two aspects to this. I care about not only how the setting is built, but also how it feels.

The time and place — the universe, if you will — in which the story is set is not required to obey the real-world laws of science, but it must remain consistent with itself. The rules by which the universe operates must be clearly laid out and then obeyed. Rule-bending and seeming contradictions must be rationally explained.

The world as a place should also give me a feeling that it’s many times bigger than whatever portions we see in the story, just as the real world is so much bigger than the portion any one person can see, visit, or otherwise experience in a single journey or lifetime. Even if the story is set in a place that’s completely “unrealistic”, I want it to feel real enough that I could plan a vacation there (or a detailed escape plan, as the case may be).

2) Storytelling: However the story is told — first, third, or even second-person, past or present tense, fantasy or sci-fi or mystery or any other genre — it must flow smoothly. As with above, there are two sides to this aspect: the mechanical construction and the semi-nebulous “story-feel”.

In regard to mechanics, choppiness and unusual constructions only work if properly and consciously manipulated. Prose is as much an art as poetry, and should be crafted as carefully. Stories should be written in a way that strikes the ear pleasantly when spoken aloud, since a reader hears the story recited in his own voice even if he does not read it aloud. The sound and cadence of a story don’t spring to the forefront of my attention on a casual read-through, but after I’ve finished reading, when I’m trying to analyze why I like or dislike a story, the flow of the words and the flow of the action almost always factor in. The sound of the words affects the image that forms in my mind. The right sound, the right flow, the right imagery: these things can cause the words on the page to fade away, so that what I see is not the words on the page, but the story itself playing out like a movie in my mind.

Concerning feel, the main thing is balance. Action and calm, lightness and seriousness: these should be woven together smoothly and in proper proportion to the type of story. Characters the readers are supposed to take an interest in should all be given enough page time to properly develop, and should all have equal (but distinct) roles in and influences on the outcomes of events. However neatly-constructed the setting, and however beautiful the prose (and however engaging the characters, see Reason 1 below), a story will not be worth a re-read unless it’s actually a good story.

I have no problem with tropes such as the coming-of-age journey, the dashing knight rescuing the fair maiden, or the Chosen One versus the Evil King; however, I’m also drawn to fresh and unusual concepts. But whatever the basic idea, the story must be told in an interesting way. Every scene has to matter, and every situation should be approached in a creative fashion. Even when using tropes, originality is a must, and subverting the expected is especially desirable.

1) Soul: The most important point on my informal mental checklist, the thing that draws me in to a story and keeps me reading, is the people. I want to see characters to whom I can relate. This is one of the most-repeated pieces of writing advice, but that doesn’t make it any less true: Strong characters are the heart and soul of a good story. I can’t love a protagonist unless I can get inside his head, understand what he wants and why, and sympathize with his struggles. Likewise, the villains I love to hate are those whom I understand. Show me what drives a person, and I’ll care about what happens to him.

All of the above is achieved only when an author gives his character a “soul”.  A character must be put together like a real person, with real needs and desires, and flaws that are believably balanced with his good traits. The best character development is accomplished when a person is revealed to the reader slowly: At first, we see just enough to make us interested in the person, but details and histories are revealed slowly, tentatively, much as a real person gradually opens up to a new friend.

When characters are realistic, I cannot help but care about their futures.

When I care, I want to know what happens in the whole story.

Then, even if I never read the book again, even if I forget the title and the author and the characters’ names, a good story will stick with me in the form of people — friends, of a sort — whom I remember for years after.

In summary, here’s a short version of my list, in order.
1) Characters matter the most.
2) Style matters a lot too.
3) World-building also matters.

On a side note, this is the first time I’ve ever put these ideas into words. Funny, how long it can take to put one’s thoughts into shareable form. 🙂

Laughing at the Moon

Introducing the latest offering from the Penworthy Press collective!

FREE-Laughing at the Moon

poetry anthology cover^salt flats and moon

Click on either image to purchase a copy — available in Kindle and paperback formats.

Note to other Penworthy Press members:
C’mon, writers! Let’s aim for a book apiece this year!

A Reading Wonderland

Some of my most calming, curiosity-piquing, wonder-filled memories are of libraries and bookstores. Even the smallest or dimmest or least organized are magical places, perhaps made more so by their imperfections and the sense of exploring a cavern of delights.

Years ago, I used to spend my lunch breaks at The Snooper’s Barn on Towson Avenue in Fort Smith, Arkansas, poking through the dusty stackes in the back where history books and old volumes — some antique — were shelved higgledy-piggledy, sometimes in precarious Jenga-like towers.

I recently introduced my eldest niece to an excellent independent bookstore in Oklahoma City. When we entered Full Circle Books — serving readers for more than three decades — we stepped not through the looking glass, nor through a wardrobe, but through a modern glass and metal door, yet the magic still welcomed us.

entryway, Full Circle Books, c2015, KB
entryway, Full Circle Books, c2015, KB
fireplace and sitting area, Full Circle Books, c2015, KB
fireplace and sitting area, Full Circle Books, c2015, KB
an old friend, c2015, KB
an old friend, c2015, KB

She fell in love with the rambling space filled with hidden rooms and cozy nooks, and the old-fashioned ladders that travel back and forth on metal tracks in need of oiling.

The children’s rooms are well-stocked with old friends and new, including a French copy of Dr. Seuss’s One Fish, Two Fish, Red Fish, Blue Fish — my niece’s first excuse to climb a ladder, but I don’t think she really needed a reason. 😉

children's reading room, Full Circle Books (c2015, KB)
children’s reading room, Full Circle Books (c2015, KB)
IMG_2986^cropped
the red ladder (c2015, KB)
IMG_2989^vignette brown
by the light of Winnie the Pooh (c2015, KB)
IMG_2994^cropped
French Seuss (c2015, KB)
IMG_2999^light
I love Sandra Boynton books. (c2015, KB)
IMG_3000^light
another old friend (c2015, KB)
IMG_3006^vignette pale
familiar author names (c2015, KB)
IMG_3003^HDR soft
funky covers (c2015, KB)

Same spaces have the atmosphere of a comfortable corner of someone’s home, and every doorway welcomes.

a comfortable study (c2015, KB)
a comfortable study (c2015, KB)
c2015, KB
c2015, KB
IMG_3008^HDR soft
c2015, KB
IMG_3028^cropped
a cheery welcome at one of the several doorways (c2015, KB)

I came around the corner and encountered mysteries. There’s a metaphor there, I’m sure.

IMG_3014^saturated
c2015, KB

My niece later found another reason to climb a ladder — various collections of Edgar Allen Poe, to which she coined a pun: “If one is perusing the works of Edgar Allen, one could be said to be reading Poe-etry.”

We are a silly lot.

Jamie reading Poe (c2015, KB)
Jamie reading Poe (c2015, KB)

On the mantel of one of the fireplaces stands this whimsical fellow:

c2015, KB
c2015, KB

If you ever visit Oklahoma City, try to carve out time to visit Full Circle Books, especially if you’re an independent author. The staff are friendly and professional, and the store supports indie and local authors, and the variety of books is vast.

front desk and beyond (c2015, KB)
front desk and beyond (c2015, KB)

 

reposted from Adventures In Fiction

Confession

Most people who know me also know I am a writer.

They’d have to be oblivious not to know. It’s an almost constant ingredient in my conversation. (Yes, I am that boring.) I love writing. It’s “the hardest work I’ll ever love”, and I dare say this love of words and stories is a calling.

It has given me work and has enabled me to help and encourage other writers, whether they be students writing only to finish assignments or aspiring writers seeking to be published. It has frustrated me, too, and the arduous process has taught me to let go of perfectionism and to persevere.

Perfectionism is rooted in fear and pride, and it prevents progress. It is one reason I chose a pseudonym: If people didn’t like my writing, I could hide behind another name.

However, there were other equal or greater reasons for choosing a pen name many years ago:
1) minor stalking from a few creepy guys when I was younger and better looking (alas, alack, time has taken its toll);
2) identity theft (a close family member was impinged upon by someone with a criminal history who married into the family, and then my information became linked to that person);
3) my real name doesn’t fit well with the types of stories I tell (“Elizabeth Easter” sounds like a romance writer, and while there are sometimes love stories in my work, I mostly write fantasy and science fiction); and
4) a desire to keep my editing work separate from my writing, and some writers — offended by the editing of their manuscripts — have called into question my abilities. I didn’t praise them as they wished, I made suggestions they viewed as insults, or perhaps I told them large portions would have to be rewritten. Therefore, rather than examine their own work, they attacked mine.

It is this behavior, among others, that led me to resigning from a publishing house and to shuttering the freelance editing business. Online creepers and offended authors weighed my spirit, and outweighed the many times writers had been encouraged and grateful for my help. I needed to step back and gain a clearer perspective.

An aside: If we live our lives offended, and if we make decisions out of that offense or we expect other people to tiptoe around us lest they offend, we are shackling not only ourselves but everyone else.

I have been edited by too-lenient teachers and by snarky, overbearing fellow writers. Good editing is a delicate balance: telling the absolute truth while still being kind and encouraging. As an editor, I strive for that balance, but have not always succeeded. As a writer, I also struggle to receive less-than-kind feedback and apply it objectively.

Another struggle: Should I reveal my true identity?

Another reason for choosing a pseudonym — and a masculine one, at that — was to practice writing male characters. Despite the push of political correctness, science confirms that men and women think differently. No secret there. However, after much experience editing romance novels, I became weary of the heroes mirroring the heroines: men who spoke, emoted, and behaved like women.

Also, a male reader’s feedback on an early, rough, uncompleted draft of my novel revealed that my male characters spoke and thought too much like the female characters. The feedback was not delivered with any thought to my feelings, but it was honest, and I respected that.

I needed practice. I chose a masculine pen name, started a blog, wrote a short story and a science fiction serial, and joined social media. Although I am a heterosexual woman, I found it comfortable, easy, and freeing to write as a man. As him, I could say things that Elizabeth couldn’t, and I was heard. The people with whom I engaged in conversation online where mostly men, and we could express ourselves without the clutter of delicate emotions. There was respect and honesty that wasn’t commonly present in conversations with fellow female writers. And, until I revealed the truth to a select few, people seemed to accept without question that “Keanan Brand” was a man.

The advertising, spam, and inappropriate invitations have accentuated that notion. There are spam-bots and actual women who have sent indecent proposals. Oy vey.

Yet another reason for choosing a pseudonym: to test my storytelling abilities without the impediment of my soft-sounding real name. The results have been mixed. Female readers have not liked the battle scenes, the violence, and the lack of erotic scenes, while the guys have wanted even more action and less poetry. However, some men have responded well to the emotional elements — not only the love stories, but also the scene where one character contemplates suicide, and there are strong friendships and family bonds — and some women have said they liked the action and thought the story was suspenseful. They did not seem influenced by the author name, but male readers seemed more inclined to my story when it came appended with a masculine pen name.

The truth will out.

There have been times when Elizabeth crept to the forefront of Keanan’s posts, and a couple times Elizabeth signed Keanan’s e-mail.

Writers whom I respect and like, and what started as a casual crossing of paths online have, in many cases, turned into friendships. Those friends deserve the truth — though I will understand if they do not remain friends after having been deceived by my online persona.

Regardless of the consequences, the time has come to confess the truth. Keanan Brand is really a woman, and Elizabeth Easter wrote this book:

new cover^for Smashwords

Author Interview: Keanan Brand

Donovan M. Neal, a blogger and the author of the Biblical fantasy series The Third Heaven, recently interviewed one of our authors, Keanan Brand, about his journey toward publication, the challenges in writing and in life, and how his faith informs his writing.

Below are a couple excerpts:

new cover^for SmashwordsWhat advice would you give new novelists?

“Patience, grasshopper.”

I lifted that line from the old Kung Fu television show, but it’s a solid Biblical and literary concept, too. Patience isn’t staying still, necessarily. It’s persevering, it’s trying again, until the goal is achieved.

What were the challenges (research, literary, psychological, and logistical) in bringing it to life?

The adage about having to write a million words before being able to call oneself a writer? I don’t know how many words I’ve written in my lifetime, but I produced at least the equivalent of three copies of Dragon’s Rook before finally settling on a completed version that worked…

I am pleased with the end result, and early readers have said that portions of it stay with them, coming to mind long after they closed the book, and some have said it is far different from what they expected of a swords-and-dragons yarn. One reader (who had never read fantasy) said she couldn’t put it down. I hope that you, too, enjoy this tale.

RiseofFallenStars

This is only a fraction of the interview — read it here in its entirety. (Read more about Keanan here and here.)

We thank Donovan M. Neal for his generosity.

Coming soon: A review of The Rise of Fallen Stars, the first book in Neal’s The Third Heaven series.